The Next Marilyn Monroe

Every few years or so, the latest Hollywood ingenue will start making the rounds, and inevitably some entertainment reporter will start throwing
around the phrase "the next Marilyn Monroe". What remains unrealized is that there is no such thing. So many women have come and faded away, and
yet Marilyn endures like no other will. She has a rare magic, a captive hold over the public, that will remain unparalleled.

Before her, there was Jean Harlow, who did in fact manage to capture that fine line between sweetness and seductress. Harlow also had a comparably
young and tragic death. However, she has not achieved anywhere near the momentum that Marilyn has had. Marilyn had imitators during her
lifetime, too- Jayne Mansfield desperately wanted the kind of adoration Marilyn had but failed to attain it. When Marilyn started causing trouble for Fox,
they touted out their own blonds and tried to market them as "the next Marilyn"- Sheree North, Mamie Van Doren- and nowadays, who aside from old
movie fans even know who they are?

Which brings us to now. I've heard the term bandied about Scarlet Johansson, who is an undeniably beautiful woman, but is lacking Marilyn's playful,
effervescent personality- which was half her charm. Any reference to Anna Nicole Smith makes my blood boil- my apologies to any of her fans, but it's
like comparing a can of Bud Lite to a bottle of Dom Perignon. Anna was a sloppy imitator, and I've seen drag queens do Marilyn better justice. Lindsay
Lohan is desperate to have her name mentioned in the same vein as Marilyn, going so far as to recreate Marilyn's famous Bert Stern photo shoot, which
seemed to me to be screaming for attention.. The difference is, Marilyn could take off her clothes-and did often- and still maintain her class and dignity.
Lohan's nude shoot is a neon sign saying "LOOK AT ME" whereas Marilyn's pleadingly whispers "Look. At me." As soon as Norma Jeane made the
transformation into Marilyn, she never had to scream for attention again- she just got it.

There will never be another Marilyn. There will never be another James Dean, there will never be another Elvis. There are a few rare stars that shine so
much brighter they can block out the light of any others-so don't try to outshine them.




How Did Marilyn Monroe Change the World?

Marilyn came along exactly when the world needed her. During the war, women were working outside of the home, men were taking breaks from the
fighting to carouse with European women, and it seemed the world was on the verge of loosening the corset stays on sexuality. Except that didn't happen-
the men returned home and expected their women to get out of the factories and into the kitchen. Dior's unveiling of their "new look" sealed women's fate-
they were expected to be prim and proper and ladylike. Modesty and decorum were of the utmost importance, and all the women who had risen to the
occasion of self-sufficiency during wartime were now relegated back to being kitchen drudgery broodmare's. Everything carried on in such a fashion for a
few years after the war. Then a certain nude calendar started making the rounds of locker rooms and gas stations.......

When the calendar story broke, the studios went into a panic, the country was poised for the scandal of the year: that the fresh young starlet Marilyn
Monroe was the naked, unashamed woman hanging on walls across the country. And then.....Marilyn was the breath of fresh air that the stale social
morays needed. Instead of being ashamed, instead of performing spin control or trying to garner sympathy, she not only held her head high and admitted
it....she made jokes about it, saying she had nothing on but the radio. Her candor and honesty was refreshing to the public, and with it, very subtly, the
nation's views on women's sexuality began to change. Marilyn was a rare woman- she could seduce and entice men, yet still seem suitable to bring home
to mother. She could endear herself to women without them feeling threatened. Most importantly, she showed the world that you could be a sexual being,
you could be aware of and even revel in your own body without being slutty. She was that rare woman who could retain elegance while undressed, and
this showed the women of America that yes, you could be sexual without being immodest, that you could be sensual without being crass, that you could
seduce and please your husband at night and still be a proper society woman during the day. Without her bringing sex to the forefront of the American
conscience, I don't know that the sexual revolution that followed in the 1960's might have occurred.

Marilyn was a feminist before there was such a word. When the studios wanted to pigeonhole her in dumb blonde roles, she not only defied them and
moved to New York, she started her own production company, one of the first  women to ever do so. Not only was Marilyn a pioneering woman in the
movie industry, she also helped to overhaul the studio system. The studios used to tell actors what movie they'd appear in, like it or not. Marilyn fought
for and won the right of script, co-star, and directorial approval-unheard of in those times. The sheer moxie of a woman in the 1950's to demand and be
granted such power and respect is a facet of Marilyn that is sadly overlooked nowadays. However, her influence is still felt- strongly. Every time a woman
can direct or produce a film, she has Marilyn to thank. Any time an actor or actress can reject a script, they have Marilyn to thank. Every time a woman
can stand up for herself and tell the powers that be to shove it- she has Marilyn to thank.

And every time a woman knows she doesn't have to choose between being a Madonna or a whore, every time a woman thinks sex is playful and fun
instead of shameful and dirty, every time a woman can feel at home in and not embarrassed in the body she has, her man has Marilyn to thank.



Norma Jeane and Marilyn

I am getting quite sick and tired of books, movies and the general public either alluding to or outright claiming that Marilyn Monroe had split
personalities, one being Norma Jeane, her "true" self, and the other being Marilyn. There is the implication that Norma Jeane was somehow innocent and
untarnished, childlike and joyful, and that Marilyn held the more womanly facets of her personality- worldly, sultry, sexy. Armchair psychiatrists like
to imagine that these two conflicting "personalities" were at war with each other, that she was constantly fighting from within to reconcile them with
each other, and that this inner turmoil is what ultimately led to her destruction.

All of this is complete and utter nonsense. There was one woman, one personality, and that was Norma Jeane. First of all, as anyone with the most basic
knowledge of psychiatry can attest, split and/or multiple personalities are EXCEEDINGLY rare. They are a result of the severest forms of physical,
mental, sexual and emotional abuse. While no one could argue that she had a terrible and trying childhood, she is far from meeting the criteria that
would cause one's mind to split as a coping mechanism. Though if we were to entertain the notion for a moment, if she actually did have a split
personality, it would be quite evident long before Marilyn showed up- and not one person who knew her in her earlier years has made even passing
reference to such an psychiatric disorder. I think Jimmie would certainly have noticed two different personalities! This is not to discount Marilyn's very
real emotional and psychiatric issues- I'm just making clear that a split personality is a VERY specific disorder that she showed none of the symptoms of!

So here's the explanation: "Marilyn Monroe" was a character - a role played by a talented actress. She created a public persona, brilliantly acting it out.
People who knew her have said many times that she could turn Marilyn on and off- she could be walking along, completely unrecognizable. She would
then say "Do you want to see me be her?" Her eyes would grow heavy, her lips would part,she'd throw her head back, make her voice get all breathy and
turn on that famous walk, and the same nondescript woman as before was now mobbed by people excitedly calling "Oh, my God, it's Marilyn Monroe!" She
was always in complete control of Marilyn, could put her on like a coat when she went out, and shed her just the same when she got home. She is not the
only celebrity to do such a thing- Beyonce has said publicly that when she is performing she is playing the character Sasha Fierce, Christina Aguilera is
X-Tina when she's on stage, and we're all currently inundated with Sacha Baron Cohen being in character at all times in public- have any one of these
people had accusations of having split personalities? She was such an amazing actress, was so successful with this character, that it is the character the
public knows, the character they remember. People speak of catching glimpses of Norma Jeane, of seeing some Norma Jeane in her eyes......it's nonsense.
She was ALWAYS Norma Jeane, but was such a good actress that the public is who split her personality in THEIR minds. She never lost Norma Jeane, the
public lost her. And they said she couldn't act......Norma Jeane is in heaven giggling about how she fooled us all.

The Underestimation Of Marilyn Monroe


Take a photo of Marilyn Monroe nearly anywhere in the world and she is instantly recognizable. Ask any stranger on the street who she is and they'll know.
Young and old, male and female, people spanning multiple generations know who Marilyn Monroe is and her fame spans decades, countries and cultures.
Marilyn is one of the most well known and enduring stars of all time, yet her name evokes in the general public  not much more than  blonde hair, breathy
voice singing Happy Birthday, and a skirt flying up over her knees. To the woman who pleaded not to be made a joke, the image of her that has permeated the
public consciousness is all but a caricature of the real, feeling, sensitive woman behind the icon. She was  groundbreaking in many ways, an early feminist
before there was even a word for it, and a well read and self educated woman. All this is often lost in mistaking her film characters as being who she really was  
and in focusing more on the mysterious circumstances of her death than on the compelling circumstances of her life. Too often under the mystery of conspiracy
theories and the dismissal of her as just another dumb blonde the actual accomplishments of this remarkable and accomplished  woman are being ignored.

1.Marilyn Monroe, Producer: "I feel wonderful. I'm incorporated."

She was only the third  woman (after Mary Pickford and Lois Weber) to start her own production company. As an ambitious
young star, Marilyn was eager for any studio contract and any role that would put her in front of the cameras. In the Golden
Age of big studios and even bigger moguls, actors were told which films they'd appear in and to refuse would put them in
violation of their contract. Marilyn did employ some shrewd negotiations for plum roles, such as agreeing to appear in There's
No Business Like Show Business (which she disliked) in order to be granted the role in the icon-making Seven Year Itch, but as
Fox Studios biggest star she had a woefully outdated contract that underpaid her abysmally, at a salary of $1500 a week
when stars were making ten times that for a film. Far more important to her than money was to be given opportunities to do
dramatic and challenging roles that would garner her the respect as a serious actress that she so longed for, but Fox knew
what made the box office receipts flow in- their resident sexpot wiggling her way through an endless parade of roles as a
variation of the same dumb blonde. Marilyn was neither a real blonde nor was she dumb, and after being ordered to fulfill yet
another role in a film she thought tasteless and demeaning she had the gall (for the times) to demand to see a copy of the
script before agreeing to play in it. Having had enough of her shabby treatment and roles she felt were beneath her, she
made the audacious step (aided by the encouragement of Milton Greene) to simply walk out on her contract. She headed to
New York City, dodging the press for weeks and leading them to ask "Where is Marilyn?". She emerged poised, elegant, and
ready to announce the formation of her own production company, partnered with Milton Greene, that would acquire and
produce the kinds of roles that she wanted to play. While fuming Fox executives planned out how to threaten and intimidate
her into coming back and doing their bidding, Marilyn bought  the film rights to two successful plays, Bus Stop and The
Sleeping Prince (later named The Prince and The Showgirl). After over a year in exile, Fox realized that Monroe's charm,
beauty, and box office success were irreplaceable and capitulated. She received a new contract reflecting her status and
power, giving her a hike in salary, director, cinematographer and costar approval,(among other perks) and most of all, some
of the respect that a woman of her talent and abilities deserved. She returned to Hollywood triumphantly, and the impact of
her achievement can not be underestimated. It also helped lay the groundwork for the overhaul of the studio system of
simply telling actors which roles to play and marked the decline of the old-time moguls ruling the lots with their iron fists.
For a woman to assert herself, stand up to the powers that be, demonstrate such business acumen and actually win in the
repressive 1950's should make her an icon of early feminist moxie, yet because of her glamour, her beauty, her status as the
poster girl for victimization and tragedy she is seen as the antithesis of feminism. Marilyn Monroe embraced all it means to
be a woman, combined her beauty and overpowering femininity with an iron resolve and determination. She embodies
simultaneously what women fear and what women desire to be.


2. Marilyn Monroe, Intellectual: "I discovered the Renaissance, met Michelangelo, Raphael and Titian...Finally, I decided to
postpone my intelligence, but I made a promise to myself that I won't forget. I promised that in a few years' time when
everything had settled down I would start learning-everything. I would read all the books and find out about all the wonders
there are in the world."

Many people think of Marilyn as simply another sexy but bubble headed blonde star. She was so clever at portraying  the
creation of Marilyn Monroe that the public accepted that's who the real woman was- just another variation of a woman who
was perhaps charming but rather naive and ditzy. Lorelei Lee, Sugar Kane, Pola Debovoise, The Girl....these are not
characters you'd expect to see reading Doestoyevsky or Whitman, studying Rodin, or analyzing Freud. Marilyn only finished
two years of high school, dropping out for her arranged marriage to James Dougherty in 1942, and was painfully
self-conscious about her lack of formal education. Her first charge account was to a book store, and in 1951 she enrolled in
classes in literature and art appreciation at UCLA. She had an insatiable hunger  for knowledge and intellectual
improvement.  She was said to haul her collection of books with her to her many apartments and residences and was
frequently seen reading heavy tomes in between scenes on her movie sets. At the time of her death she had a library
consisting of over 400 volumes, on such myriad subjects as art, politics, biographies, philosophy, psychiatry, religion and
poetry. She had volumes by such illustrious authors as Jack Kerouac, James Joyce, Ernest Hemingway, Alexandre Dumas,
Thomas Mann ,Proust, Flaubert and Aristotle. She read Ulysses, The Great Gatsby, and, arguably her favorite, Doestoevsky's
The Brothers Karamazov. There was a collection of plays by Clifford Odets, Sean O'Casey, Eugene O'Neill, George Bernard
Shaw, and Tennessee Williams. Poetry by Walt Whitman, William Faulkner, Emily Dickinson, and Alexander Pushkin. You'd
have to be hard pressed to imagine Lorelei Lee with a Doestoyevsky replacing diamonds in her hands, or Sugar Kane
expounding on Freudian psychology over her ukelele and bourbon! For a complete list of Marilyn's book collection, please
reference: http://blog.everlasting-star.net/marilyn-monroe/marilyns-library/
Susan Strasberg said about Marilyn "When she wasn't an expert on a subject, but wanted to be, she got hold of someone and
picked their brains. After she'd gone through enough information, she was pretty knowledgeable about whatever it was:
painting, music.....Whatever it was she might not be able to dive in but she would wade like crazy, in politics, religion,
literature. She collected experts-one on the stock market, one on poetry, one on the world situation." These are not the habits
of a vapid woman, the realization that one has more to learn and the thirst for knowledge are the hallmarks of the most
intelligent. She may not have had formal schooling, but Marlyn was a woman not only self educated, but brilliantly so.


3. Marilyn Monroe, Activist: ""What I really want to say is: that what the world really needs is a feeling of kinship.
Everybody: stars, workers, laborers, Negroes, Jews, Arabs. We are all brothers."

Yet another facet of Marilyn often lost to her pop culture icon status is her warm and tender heart, her generous spirit, and
her love for the working class and the underdog. Marilyn participated in many charities, and as early as 1952 she was
visiting an orphanage in Atlantic City on her Monkey Business tour. She famously performed for soldiers in Korea for the
USO, but Marilyn did a lot of charitable works that to this day remain largely unrecognized. She performed at many benefits:
for St. Jude's Hospital in 1953, as a model in a 1958 March of Dimes fundraiser, and gamely agreed to ride around Madison
Square Garden on a elephant that had been painted pink to help the Arthritis and Rheumatism Benefit in 1955. She donated
her earnings from the world premiere of The Prince And The Showgirl to the Milk Fund For Babies in 1957. While visiting a
Mexican orphanage in 1962 she initially wrote a check for $1.000, then tore it up and wrote a new one for $10,000. Her last
public appearance, on her birthday June 1, 1962 was for a benefit for muscular dystrophy. Despite being ill and having a
fever, Marilyn insisted on making her appearance at Dodger Stadium. Marilyn even provided for charity after her death- she
left 25% of her estate 'for the furtherance of the work of such psychiatric institutions or groups'' as should be decided by her
former analyst Dr. Marianne Kris, who elected to donate it to the Anna Freud Children's Clinic because of Marilyn's love for
children. This has been used to create the Monroe Young Family Centre in London, which helps children who have been
abused. Although she participated in public charities, Marilyn also had her own private acts of generosity that only were
revealed years later in the anecdotes of her friends. She would don a wig and sunglasses and walk through Manhattan's
Bowery section handing out money to the homeless. When encountered with young boys trapping pigeons to sell to a local
butcher, she agreed to pay them what the butcher would if she would set them free. She spoke of equal rights for all people
regardless of race and her actions backed up her words. In 1952 she visited an orphanage and gleefully threw her arms
around two black  boys, which was still harshly viewed in large portions of the still-segregated America. Marilyn also
famously convinced the owner of the whites-only Mocambo to book Ella Fitzgerald, by promising that she'd take a front row
table every night. Marilyn gave of herself to a cause she thought was right, and the grateful Ella never forgot it."After that, I
never had to play a small jazz club again. She was an unusual woman-a little ahead of her time. And she didn't know it."  She
didn't know it -Marilyn just always did what she felt was right, and sticking up for the underdog, the oppressed, and the
discriminated was always what was right to her.  


4. Marilyn Monroe: Voice For The Abused: "All little girls should be told they're pretty, even if they're not. "

Marilyn made history by being the first celebrity to talk openly about sexual abuse. Sexual abuse, particularly of children,
remains a taboo and little talked about horror even to this day. In the repressed, prim and proper 1950s it was unheard of.
Marilyn bravely recounted the story to one of her first Fox studio biographers in 1950 (who ultimately decided not to print
it). As early as 1954 it appeared in the popular movie fan magazines, and her sister Berniece speaks of it appearing in print
somewhere in the chronology of 1951-1952. . She repeated the tale  in the ghost written My Story . In the 1950's, being
sexually abused was seen to bring shame on the victim, rather than the perpetrator, and it not only wasn't discussed, the
victim would often be ostracized for telling. This is consistent with Marilyn's story that upon telling an adult, alternately a
foster mother or her actual mother depending on the telling, that she was slapped and told not to say such terrible things
about the man who molested her. The mentality of the times dictated that a girl protect her virginity and chasteness, or at
least appear to, and any violation of that was seen as her fault. She was 'that' girl, the one with the ruined reputation who  
brought  shame on her family. Abused girls weren't counseled, weren't sent to therapy; they became the objects of gossip and
public shaming. In Marilyn's retelling of the story, one particular part poignantly  exemplifies this : "I stood staring at him. I
was frightened, but didn't dare yell. I knew if I yelled, I would be sent back to the orphanage in disgrace again. Mr. Kimmel
knew this too." Also illustrating the sense of shame, when Marilyn later writes of attending a church revival not long after
the incident, she says "Everybody was listening to the evangelist. Suddenly he called on all the sinners in the tent to come up
and repent. I rushed up ahead of everyone else and started to tell him about my sin." MY sin, she says- not Mr. Kimmel's sin.
There are several other references to her being moved from a foster home when the patriarch made advances towards her,
once again punishing the victim and not the perpetrator.

Some biographers of Marilyn (almost universally male ones) have tried to suggest that this was all the doings of Marilyn's
imagination, that she made it up, that she was attention seeking, even going so far as to distastefully describe the incident as
''fantasized." In that time, speaking of such things could have severely stigmatized Marilyn in an extremely negative way
which lends more credence to her story being the truth. Marilyn had no trouble getting attention, she certainly did not need
to make up allegations of abuse to get it.  Marilyn did not make it up- she exhibited all the psychological scars of an abused
child. Inability to enjoy sex, inability to trust others, unnamed fear and anxiety, difficulty sleeping, addiction, and feeling
that one's worth lies only in their body and what it can do for other people among other classic manifestations of early
childhood abuse. It has  been said by psychiatrists and psychologists that a child's emotional growth ceases and remains at the
age they were when they were abused. Everyone remarked on Marilyn's 'innocent' and 'childlike' qualities. They were part of
her charm and made her endearing, but they were also testament to the abuse she suffered. So many fantasies revolve
around her being both womanly and childlike, both provocative and innocent, but that very persona and the characteristics
of it can be directly related to childhood sexual trauma.  Marilyn was shamed at the time of the abuse, ridiculed for speaking
out about it, yet she continued to speak of it in the face of disbelief and mockery- like so many abuse victims continue to deal
with today.  Marilyn  faced what had happened to her, discussed it openly in a time where doing so would have caused her to
be shamed and ostracized, so for her to freely discuss it not just among her friends but with the press showed a formidable
amount of courage in a woman who is often viewed as a perpetual victim. Marilyn, by telling her story, brought child abuse
out from the dark corners and thrust it into the light and her bravery should be recognized, commended....and remembered.


5. Marilyn Monroe: Actress: "Some people have been unkind. If I say I want to grow as an actress, they look at my figure. If I
say I want to develop, to learn my craft, they laugh. Somehow they don't expect me to be serious about my work."

Marilyn is best remembered for roles in films like Gentlemen Prefer Blondes and Some Like It Hot. Classic, iconic, beloved, but
not exactly high drama. The fact that the public blurs the line between the real woman and the characters she played is a
testament to what a skilled actress she was. 'Marilyn Monroe' was an invented character, played so well that during her
lifetime and fifty years after her death people still associate her film roles with who she actually was. This was put into words
very well in Berniece and Mona Rae Miracle's book My Sister Marilyn: "Most people thought that Marilyn was playing herself
in roles like she had in Show Business, Monkey Business, or Gentlemen Prefer Blondes. Viewers had based the opinion upon
the seeming lack of skill that her roles required and the similarity between these characters and the public image she
projected during the first half of her career."    Marilyn threw far more insight and depth into many of her characters than
was required for the role, although the characters as written often lacked substance she would infuse them with her own
charm and perspective on roles that really didn't call for any in-depth evaluations. This is why her characters in forgettable
films still resonate, and her characters in her classic films have become iconic. Her heart, drive, perception and talent far
exceeded the substance of many of  her roles.

In her earliest years, Marilyn would happily take any role she was given. These usually included sexy showgirl or sexy
secretary, but she showed glimpses of what she was capable of in small roles in The Asphalt Jungle, Clash By Night, and All
About Eve. She did the emotionally grueling role of a psychotic woman in Don't Bother To Knock- and got every scene in one
take.  She worked hard from the earliest time in her career to improve herself, spending all she had on acting, dancing, and
singing classes. The same drive for perfection and self improvement that led her to her intellectual pursuits also reflected in
her ambition to be the best actress she could. She studied at the Actor's Lab for two years, she studied the Stanislavsky
method with the acclaimed Michael Chekhov, she studied Method acting at the renowned Actor's Studio alongside such
contemporaries as Marlon Brando and James Dean. She threw herself into her studies of Method acting wholeheartedly
during her hiatus from Fox in 1956 and wanted more than anything to be taken seriously as an actress and no longer
stereotyped into the dumb blonde roles. Dumb blonde brought in box office dollars, and the studio didn't feel that the public
wanted to see their star commodity do anything beyond whispering seductively and wiggling around on the screen.  When
Fox presented her with dumb blonde after dumb blonde, Marilyn had the audacity and strength of will to reject scripts that
she felt were poorly written and variations on the same one-dimensional characters. She yearned to be taken seriously, to
play different types of roles that would challenge her, but instead she was ordered to make The Girl In Pink Tights, and
demanded to see the script first. Not liking it, she walked out on the studio, not caring that she infuriated executives  and was
suspended for her efforts.. Two years later she was again sent a script for another flimsy  role in How To Be Very, Very
Popular,  Marilyn had had enough and simply walked out on Fox, walked out on her contract, and walked right out of
California. She went to New York, where she threw herself into study of Method Acting. She was ridiculed by the press and
executives alike- how dare Marilyn Monroe expect respect?Who does she think she is, Marilyn Monroe?  Her acting
aspirations were mocked as cruelly as her literary pursuits were. The formidable powers that Marilyn was fighting against-
studio, press and public- wanted to keep her as The Girl, an unattainable yet approachable fantasy, and could not reconcile
with the idea of the blonde bombshell playing Grushenka in The Brothers Karamazov or the title role in Lady MacBeth. After
a year long standoff in which Fox executives scrambled to find 'the next Marilyn Monroe' , they realized there was only one
and courted her back.

After her intense and all consuming study of Method acting, Marilyn returned triumphantly to film her first serious role
since 1952. In the role of Cherie, a broken down but endearingly hopeful saloon singer, Marilyn showed a detailed  
understanding of the character and played her with a sensitivity that is heart stirring to watch. Instead of the glamorous
Travilla costumes designed for the role, Marilyn raided the wardrobe department for ratty costumes reflective of a down on
her luck chanteuse. She again showed remarkable insight in the design of her makeup for the role, insisting on heavy, chalky
makeup that horrified the executives but were consistent with a girl who worked in bars all night and rarely saw the sun.
Her instincts paid off- The New York Times declared "Hold onto your chairs, everybody, and get set for a rattling surprise.
Marilyn Monroe has finally proved herself an actress in Bus Stop!"  The Method way of drawing on personal emotions and
experiences had paid off, and Marilyn went on to do some of the best work of her career in Some Like It Hot, The Prince and
The Showgirl, and The Misfits. Gone were many of the affectations of her early films and she emerged from all her training as
an actress more connected to  her roles, infusing them with the nuances that really exhibited her skill at getting in touch
with a character. She still had difficulty getting to set on time, but this was not so much intentional unprofessionalism as it
was Marilyn taking the time to completely immerse herself  in the role and mentally prepare herself for her scene. Her
intense perfectionism and fear of being anything less than her best kept her in her dressing room until she felt ready, no
matter if that was several hours after call time. She was often taken to task for her seeming inability to remember lines, but
the truth was that until she found the heart of the character she simply could not play it. Once she found it, she was brilliant
and her directors recognized that the magic Marilyn they captured on celluloid was worth all the trouble trying to get the
finished product. She received numerous awards for her acting, most notably Golden Globes and both France and Italy's
equivalents of the Oscar. A study of the handwritten notes to herself in the margins of her script reveal that she was
constantly thinking about character, motivation, and even added and rewrote lines with the adeptness and instinct of a true
actress. If she had lived long enough to showcase her full potential she undoubtedly would have reached the same acclaim for
her acting as she had for her looks.


6. Marilyn Monroe: Icon "I knew I belonged to the public and the world, not because I was talented or even beautiful, but
because I had never belonged to anything or anyone else."

Marilyn Monroe still belongs to the public and the world. Her combination of beauty, intelligence, sexiness, and vulnerability
continues to inspire legions of fans to this day, nearly fifty years after she died.  She has been immortalized as a pop culture
icon, a ubiquitous figure in all aspects of public consciousness. Many have tried to imitate her, none come close because she
was one of kind, cast from a mold never to be recreated because she created it herself. Hardly anyone reaches her
stratosphere, Elvis Presley being the only one that is on the same level of stardom. No other actress has ever been able to be so
incredibly sexy while also retaining and innocence and vulnerability. This is why she continues to appeal to men while not
being threatening to women. In fact, men find her attractive and often feel protective of her, women have empathy for her,
relate to her, and feel protective of her as well. Girls identify so well with her because she was very open about her
nervousness and insecurities, and they feel that if the most glamorous woman in the world can be self conscious then it's okay
if they are too.  She revolutionized the way sex was viewed-in the uptight 1950's sex was regarded as something dirty and
shameful, Marilyn made it fun and funny, she could be sexy while still being proper enough to bring home to mother and it
altered society in such a way as to make the sexual revolution of the 1960s possible. For those who want to write her off as
just a minor actress who stumbled into enduring fame either through luck, circumstance, or conspiracy theory, take a look
at her accomplishments, her lasting contributions to our culture, look at her as the inspiration to women that she didn't even
realize she was. Look beyond the pouting woman in the gold lame dress slapped on everything from coffee mugs to keychains
and find out who the real woman was behind the image of Marilyn Monroe. She is not a caricature, she is not a joke, she is an
icon, she is a legend, and she is a woman we could all learn something from.
Photograph by Ed Feingersh.
All photos are copyrighted by their respective owners & should not be used for commercial purposes